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Hugo
Don’t get the love for this film. Boring, trite, pointless and hamstrung by feeble slapstick and ‘reaching for the screen’ 3D shots. →
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Review of Martin Scorsese’s Hugo
Hugo, Martin Scorsese's love letter to THE MAGIC OF CINEMA, is two things: the end result of Scorsese's desire to make something with 3D technology, presumably before the bottom falls out of the market, and a plea for a better understanding of, and a greater respect for, early cinema. The result: a load of irritating 3D effects and a grating, preaching tone. →