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Hellraiser: Bloodline
Thereâs a decent film somewhere in this PINHEAD! IN! SPAAAACE! triptych, but cuts and re-writes drag it to mediocrity. â
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The Girl With All The Gifts
A great adaptation of a great book. Tense throughout, strongly performed, and enjoyably bleak. â
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The Guyver
Some sterling rubber monster work and Mark Hamillâs moustache. Other than that, like watching a crappy Power Rangers knock-off. â
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The Train
Burt Lancaster is the most American-sounding Frenchman ever, but it doesnât distract from a complex and thrilling WW2 drama. â
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Christine (2016)
Rebecca Hall is incredible here with a painfully believable portrayal of depression. A grim, intense, necessary piece. â
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The Royal Tenenbaums
One of my all-time favourites, with some career-best performances from almost the whole cast. Great soundtrack as well. â
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Keanu
At times a bit of a one-joke film, but Kay & Peele are so hilarious with it, it doesnât matter. Loved it. â
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Airport
An entire genre of film rendered unwatchable by having watched Airplane! â
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The Man Who Haunted Himself
â70s Roger Moore doppelgänger thriller. Tense, strong stuff all round, and some nice shots of 70s London. â
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The Mummy (1932)
I know itâs a classic but TO BE HONEST I FOUND IT A LITTLE DRY â
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Salt
A fun action thriller. Angelina Jolie just massively more competent than everyone else, and Liev Schreiber purrs happily away. â
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Bride of Frankenstein
Mostly felt sorry for the Bride; alive for maybe a minute before sheâs condemned to death for not fancying Karloff. â
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Pontypool
I love it. Inventive, claustrophobic and funny, and Stephen McHattieâs face and voice are perfect. Generally, I mean. â
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The Glass Key
A solid and coherent bit of noir thatâs surprisingly light-hearted given the utter pasting the male lead gets halfway through. â
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Disorder
A mostly-unremarkable French thriller that gets by on a decent amount of sudden violence and some really good glaring. â
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Fantastic Planet
Brilliantly surreal French animation, like the sort of thing youâd find on Channel 4 when off sick from school. â
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La La Land
A spectacular beginning and a strong finish, but I just didnât care all that much for everything in the middle. â
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Born to be Blue
Decent Chet Baker biopic that I couldnât take seriously as Iâve seen Walk Hard âGoddammit, this is a dark fucking period!â â
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Sicario
Honestly wanted to enjoy this more than I did. I canât fault it in any particular way, but it just didnât hold my attention. â
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The Dressmaker
Australian revenge flick thatâs tonally all over the place but still utterly brilliant. Winslet is a perfect femme fatale. â