
A recent viewing of Terry Gilliam’s Twelve Monkeys, a film I’ve seen several times since its release in 1995, left me wondering if, despite some appealing cyclical time-travel logic, it doesn’t deliver quite enough of a mindfuck.
It’s good to know that, while watching dross like Revenge of the Sith can make you wish the Lumière brothers just hadn’t bothered, there are still films like Sin City that remind you how good the medium can be.
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